How to Use the Flashback Technique in a Short Story
Flashbacks can be a useful tool for short-story writers. A story that is losing its way can become invigorated by a dramatic, but relevant, flashback. If introduced at the wrong time, a flashback will be seen as an irritating distraction to the reader. There is also the risk that it will ruin the flow of the story. When introduced judiciously, a flashback can be very powerful, and it can be what underpins the whole meaning of the story.
Create the outline for your story. Don't add a flashback in any story unless there is a place for it. Use the flashback technique in a way that will link the present with the past in a meaningful way. This should be achieved through not breaking up the continuity of the story as a whole.
Introduce a trigger into the story. A trigger should be a subtle way of introducing flashbacks into a story. Use them via an experience in the present that acts as a reminder of the past. Examples include a song, movie, or place. Senses such as smell, taste and touch can also help to transport the character back to an earlier time.
Use old letters written to one of the characters as a link to the past. This device should be used when a character is thinking about the past, especially about a past love affair. Rather than introduce letters by chance, introduce them as a way of further rekindling memories which are already stirring. Used sparingly, these memories will add to the interest of the reader, and should be used to explain some of the character's actions in the present.
Write about individual characters telling their own life stories. Describe the characters lives in a concise way. Brief life histories will be especially useful if they tell something unexpected about the characters.
Study your text, and make sure that the flashbacks you have used work successfully. Check that every flashback you have used does not come across to the reader as mere padding. Also check that the flashbacks you use do not confuse the reader by drifting in and out of the past and present in a vague way.
The transition to a flashback should bring something interesting to the short story, but it shouldn't be so strong that it makes the present seem weak by comparison.
Don't use anywhere near as many words on writing flashbacks as on the whole story itself. For a short story of a thousand words, then no more than a hundred words should be used on flashbacks.
Things You'll Need
- Short stories to study
- The transition to a flashback should bring something interesting to the short story, but it shouldn't be so strong that it makes the present seem weak by comparison.
- Don't use anywhere near as many words on writing flashbacks as on the whole story itself. For a short story of a thousand words, then no more than a hundred words should be used on flashbacks.
Paul Rance began writing in 1979 for small-press publications and was a columnist for the British small-press publication "Rattler's Tale." He has had articles and reviews published on many subjects, especially relating to music, cinema, TV, literature and poetry. He was educated to A Level standard at Rapid Results College in London.